![]() ![]() If you can identify your starting note, and then identify your intervals as you progress through a piece of music, you're in good shape. In my opinion, the most valuable skill set is a combination of pitch recognition and interval recognition. Harmonic minor scale: do re me fa sol le ti do That's what we have solfege for (do, re, mi.) If you want to be able to identify a perfect 4th, sing the opening of "here comes the bride" ("do - fa" going up). Training relative pitch, the ability to identify intervals, is more valuable in my opinion. If an elevator in your office dings at a specific pitch, you could identify it and memorize it. Aural Trainer can be used anytime and anywhere to prepare. Together, Aural Trainer 1-5 and Aural Trainer 6-8 cover all the individual elements of ABRSM aural tests including sightsinging and echo tests. Orchestras tune to the note A every day, so many recognize that pitch. Through a series of interactive challenges, users can learn to identify and describe musical features and differences quickly and accurately. Training absolute pitch, the ability to identify a pitch out of thin air, is a matter of just memorizing a pitch through repetition. It depends upon whether you'd like to train absolute pitch (pitch recognition) or relative pitch (interval recognition.) I would advocate the latter. I like playing along with old movies myself. ![]() The tv thing is something I picked up from some guys when I was coming up. Just sight singing and transcribing from records is how alot of players learned to do it. Transcribing from records is great stuff, too. Play along with the jingles on commercials, play along with the background music in a scene, play along with the theme music for the shows.TV provides random melodies a-plenty to ear up and play along with Overview and admission Application deadlines Languages of instruction Further study programmes Overview and admission Study Type. Playing along with the television is great stuff, too. Standard period of study (amount) Düsseldorf. Sharpen your musicianship and aural skills through an exploration of sound, pitch, scales, intervals. Find simple melodies to sight sing or take bits of the pieces you are working with and sing them Ear Training and Music Theory for all musicians. Sing the bass, sing the melody (you might need to sing and octave below depending on how high it goes). Take one of your guitar pieces and sing one of the inner voices. When I was in music school, ear training and sight singing were the same course.
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